You really can turn the world upside down with printing. I have used lino, wood, drypoint and chine colle to subvert natural forms where I combine illustrative design with figurative sketching. I seek movement in my lines and through the way I ink up and print. I also use ghost prints, i.e. the second + prints made from an original single inking, (often an improvement on the first print), and add other media such as acrylic paint.